150713

Numbers……

In this case, they signify July 15th, just in case you hadn’t worked that out. So what’s the big deal about that date? Well, it is a big deal for me, as it’s the release date for my new album, Imperial Decimal.

Here’s a tiny preview:

So, what can you expect?

Well, I’ll let you do the listening/interpreting. What I will say is that I’m rather excited about it. It’s a tad more consistently chilled than my previous recent releases. It’s filmic. Or ‘cinematic’ if you want to call it that. I wanted it to sound like a compilation of film themes and incidental music, in fact. There’s a preoccupation with numbers and data, and our use of them as identifiers and as a means of putting people into boxes. It’s also a reaction to the cacophony of the digital world. So there.

But, bollocks to the concept…I just hope you like the tunes. Or hate them….just don’t be neutral.

Out on Dementio13.com on 15th July.

Best wishes and thanks.

New Updated News Update

I have made some decisions….oh yes.

As I’ve been recording/re-arranging and re-evaluating quite a bit lately and work is only intense² as opposed to intense³, I’ve decided to release a new album in July. I’ve also got a title, album art and a vague concept (thought this isn’t a concept album, right?!). These things are important to me, as they steer the recording and mixing of the album tracks. That’s how I work.

So, the name of the album is ‘Imperial Decimal’ (nothing to do with Star Wars, I’m afraid) and this is the cover art:

Image

Nice, innit? Numbers and data seems to be a theme that’s running through the tracks at present……data being something I’ve been rather preoccupied with lately, professionally.

Musically, it’s shaping-up to be a tad different from my previous two or three releases; though there are several elements which I guess you could say are Dementio13 cliches!

Here’s a little preview of one of the tracks:

The other decision I’ve made has been quite a difficult one. But one, nonetheless, that needed to be made. The album will still be pay-what-you-want, but there will be a minimum price. Not that I should need to justify this decision, but as a lot of you who read this nonsense (the blog) actually do take the time and effort to download my music (and most of you pay), you deserve to be given a rationale, at least. The money made from my music almost always goes into a fund to develop my next release; whether that be buying new equipment, or whatever. Sometimes, I use it to buy other DIY musicians’ music. In short, it nearly always gets ploughed back into music.

Also, as I get older and my job requires more responsibility, I am finding that I have less time to devote to making/promoting/sharing the music. This time is so precious.

I’ve always been an advocate of free music, even if I’ve never believed it should be free to all and sundry. But times, attitudes and methods change. People are torrenting my music more than ever before, there are free streaming services from Bandcamp, Soundcloud and Last.fm on people’s phones, etc, so my reasoning is that if people want a higher quality format such as .FLAC; then they can pay.

————————————————-

In other news, Marie Craven and myself are releasing a single as Cwtch tomorrow. The song is called, erm…‘Song’ and, again, it can be previewed on Soundcloud. This will be p-w-y-w with no minimum.

So, folks, that’s all for now. Thanks for reading/listening/downloading/sharing.

 

Various Artists - Album Roundup

Reblogged from Oliver Arditi:

Click to visit the original post
  • Click to visit the original post
  • Click to visit the original post
  • Click to visit the original post

This post is dedicated to Steve Morton. Rest in peace, brother.

Dementio 13 - Last Test (electronica)

self released, 2013, DD album, 45m 38s

£0+

http://dementio13.com/album/last-test

Worlds collide in Dementio 13’s latest release, albeit without the biblical histrionics and cataclysmic consequences that usually dance attendance on such events in fiction. There has always been more to Dementio 13 than the electronica with which he has populated his records, and he has always been a musician of unusual erudition, drawing his language from a huge range of sources across a selection of decades (roughly the last four) which have witnessed an unprecedented frenzy of musical innovation and invention.

Read more… 2,158 more words

Oli's thoughtful and flattering review of 'Last Test'...an album I am very proud of.

“Trying To Be Cool”

I like Phoenix. The band, not Peter Kay’s Bolton nightclub. I like their songs and their attitude. They sometimes sound a bit like Steely Dan (another fave) and sometimes veer towards Daft Punk territory….this can only be a good thing. They strike me as genuine also.

So, when I saw that they’d put some stems of one of their recent songs (‘Trying To Be Cool’) on Soundcloud for Soundclouders to remix and reshuffle, I hastily downloaded.

I’ve just spent the last 6 hours or so constructing a mix around the vocal part and a couple of guitar parts. It was fairly straightforward, though the change from 114bpm to 117bpm after the chorus threw me a little. Anyway, here’s the mix….apparently, according to a commenter (commentator?), the bass conflicts with the low piano. Sounds alright to me….but then I do like layers, bits of dischord and noise.

So, here’s my noise-pop mix:

It’s a free download.

Blues Then Greys

So, with the rain, comes the cold. It’s Bank Holiday; a national holiday, so here comes the grey. Anyway, to warm you up, I’m sharing, yes…sharing, some new tracks I’ve been working on. Probably not quite finished yet: time and reason will alter them.

They’ll most likely form the basis of the new album, provisionally entitled “Imperial Decimal”. A paean to woodworkers everywhere!

Here are the first four……download for free if you like getting ahead of the game.

Also, here’s a review of my track ‘Pen Y Fan’, which was submitted to the brilliant Fresh On The Net website. I love good reviews!

I now have a week off work, so expect more shenanigans…

Work And Music

I have a confession to make.

I am a school teacher. Of art, no less. This makes me buzz, you understand. But not always in a good way. You see, education is an odd old thing….. its ever-changing structures and rules do more than ‘keep you on your toes’….they positively confuse and tire. The reliance on raw data (imposed on us by the powers that be) to inform and dictate our practice as educators seems at odds with the fact that, essentially, we are dealing with human beings who have quirks and foibles and flaws and are not subject to singular ‘truths’ and givens.

Being a teacher of art is ultimately frustrating and rewarding in equal measure. I lead a department that attempts to promote and disseminate the idea of art as a revolutionary, subversive, creative and skillful activity. Where thoughts are as important as actions (though one without the other is useless). But, we do so in a system which isn’t really built for these things….a system of rigidity, of certainties and of compliance. At the same time, I really get satisfaction from the interaction, the look on young people’s faces when they achieve something they thought they couldn’t. Or when they make something which really means something to them.

The profession is often derided, sometimes by the press, sometimes by those who had a fairly shitty experience in school and can’t let it go. But one thing people cannot doubt (though they sometimes do) is the effort and time that goes into the job. I will tell you now: the stress, effort, time…the investment that goes into preparing lessons, writing reports, marking, assessment, evaluating and jumping through hoops is immense. Because we are not dealing with statistics; faceless masses who are subject to gross generalizations, data-pools or demographics. We are dealing with people.

It’s a job I spend a great deal of time on (weekends, late evenings)….and I do mainly love it. Though there are moments when I think “what’s the point” and think of alternative ways of paying the bills. It doesn’t matter what your line of work is…we’ve all thought that, right?

Well, recently, I have been thinking of alternatives.

Music isn’t one of them. Not because I want it that way, but because it isn’t actually a ‘way’ at all. It was once a belief that professional musicians were a blessed bunch. They made an extremely good living off their art and became famous as a result. It was believed that record labels paid out huge amounts of money (maybe they did to the select few, in advances) and kept on giving. It was believed that to be a professional musician meant that you worked, doing something you loved, something that was akin to a hobby or pass-time, for just a few hours a day and the rest of your time could be spent attending parties, getting wasted or traveling the world.

Then the realisation (fairly recently) came that, actually, professional musicians are not that well paid, if at all. They end up in convoluted legal wrangles, they get ripped-off, they put in many hours of hard work, they put up with hardship. Many were actually “semi-professional” in that they held down day-jobs as well. Blimey….nothing’s ‘perfect’ is it?!

However, there is a more prosaic and (perhaps) idealistic view that I subscribe to. Not borne out of necessity, but borne out of experience. Music, for the likes of me (an amateur by most people’s standards) is so important because of the drudgery of the day-job. It’s more than a ‘hobby’, yes…. though it’s not the wildly poetic and hackneyed idea of it being an ‘escape’. But it is a compulsion. When most of our jobs and, indeed, our lives involve repetition, bureaucracy, frustrations and banality….music, either as a ‘consumer’ or a ‘producer’ seems to make sense. It creates images, it evokes times/places/people, it distracts you from stuff, it makes you think, or it just makes you feel all tingly. It’s far from being a soporific (though supermarkets, advertisers and TV execs might work hard to make it so)…it’s accessible and changes our lives, or at least changes our mood. How many things in life can lay claim to that? Art does that.

However, without the vagaries of everyday life, would it have as much significance? Well, for me…no. It’s a counterpoint. It’s a crutch. It’s a beacon. It’s a focus. It gives you headspace.

The Wall

Image

Hello again. It’s been an odd couple of months; the transition from Winter to Spring has been hardly discernible here in the UK. The temperature has risen slightly, yes, but the rain and wind hath not abated.

My job is taking up most of my time, focus and energy at the moment and has done for the last month or so; leaving little time for music-making. With this hiatus has come the odd doubt or two and much self-questioning. I’ve done a couple of remixes for people and the occasional ‘live’ mix, etc; but nothing new that could be released as an EP or album.

In fact, when I have tried to write/record stuff, I’ve been really unhappy with it. Yep…I’ve hit a dead-end. Part of the problem has been knowing where to go with my next release. I’ve trawled around my brain (and my music collection) for new ideas and themes, but have come up short. 

Anyway, a symbolic ‘spring clean’ is what normally works in order to give me a spark. So, I’ve downsized my releases; discarded the CutMat Recordings moniker and I’ve re-instated an old favourite EP over at Dementio13.com. Next I might re-arrange the music room or get rid of some instruments (and buy some new ones).

Anyway: here are the remixes I did recently for Northcape and Old Tramp.

And here’s the re-issued EP of bouncy electro:

I’ve also got a backlog of Cwtch tunes to attend to and a collaboration with another muso; both are being very patient.

I’m still stuck……rather than recording seeming like a new sonic adventure, it seems like an onerous task at the moment. So it might be quite some time before I record anything remotely worthy of release. Or maybe I’ll suddenly be hit by the music bus and record 15 tracks in a week.

 

Monday Musing: The Ideology Of The Album

Reblogged from Oliver Arditi:

Click to visit the original post

I've been wondering about the way that I choose what music to write about, what the reasons for those choices are, and what the consequences of them might be. I feel I've been fairly rigorous in examining the way I think and write about specific pieces of music in detail, and I've gone to the effort of engaging with (relatively) current schools of thought in critical theory in order to inform my thinking.

Read more… 2,815 more words

As usual, thought-provoking, relevant and erudite from Oli Arditi.