Work And Music

I have a confession to make.

I am a school teacher. Of art, no less. This makes me buzz, you understand. But not always in a good way. You see, education is an odd old thing….. its ever-changing structures and rules do more than ‘keep you on your toes’….they positively confuse and tire. The reliance on raw data (imposed on us by the powers that be) to inform and dictate our practice as educators seems at odds with the fact that, essentially, we are dealing with human beings who have quirks and foibles and flaws and are not subject to singular ‘truths’ and givens.

Being a teacher of art is ultimately frustrating and rewarding in equal measure. I lead a department that attempts to promote and disseminate the idea of art as a revolutionary, subversive, creative and skillful activity. Where thoughts are as important as actions (though one without the other is useless). But, we do so in a system which isn’t really built for these things….a system of rigidity, of certainties and of compliance. At the same time, I really get satisfaction from the interaction, the look on young people’s faces when they achieve something they thought they couldn’t. Or when they make something which really means something to them.

The profession is often derided, sometimes by the press, sometimes by those who had a fairly shitty experience in school and can’t let it go. But one thing people cannot doubt (though they sometimes do) is the effort and time that goes into the job. I will tell you now: the stress, effort, time…the investment that goes into preparing lessons, writing reports, marking, assessment, evaluating and jumping through hoops is immense. Because we are not dealing with statistics; faceless masses who are subject to gross generalizations, data-pools or demographics. We are dealing with people.

It’s a job I spend a great deal of time on (weekends, late evenings)….and I do mainly love it. Though there are moments when I think “what’s the point” and think of alternative ways of paying the bills. It doesn’t matter what your line of work is…we’ve all thought that, right?

Well, recently, I have been thinking of alternatives.

Music isn’t one of them. Not because I want it that way, but because it isn’t actually a ‘way’ at all. It was once a belief that professional musicians were a blessed bunch. They made an extremely good living off their art and became famous as a result. It was believed that record labels paid out huge amounts of money (maybe they did to the select few, in advances) and kept on giving. It was believed that to be a professional musician meant that you worked, doing something you loved, something that was akin to a hobby or pass-time, for just a few hours a day and the rest of your time could be spent attending parties, getting wasted or traveling the world.

Then the realisation (fairly recently) came that, actually, professional musicians are not that well paid, if at all. They end up in convoluted legal wrangles, they get ripped-off, they put in many hours of hard work, they put up with hardship. Many were actually “semi-professional” in that they held down day-jobs as well. Blimey….nothing’s ‘perfect’ is it?!

However, there is a more prosaic and (perhaps) idealistic view that I subscribe to. Not borne out of necessity, but borne out of experience. Music, for the likes of me (an amateur by most people’s standards) is so important because of the drudgery of the day-job. It’s more than a ‘hobby’, yes…. though it’s not the wildly poetic and hackneyed idea of it being an ‘escape’. But it is a compulsion. When most of our jobs and, indeed, our lives involve repetition, bureaucracy, frustrations and banality….music, either as a ‘consumer’ or a ‘producer’ seems to make sense. It creates images, it evokes times/places/people, it distracts you from stuff, it makes you think, or it just makes you feel all tingly. It’s far from being a soporific (though supermarkets, advertisers and TV execs might work hard to make it so)…it’s accessible and changes our lives, or at least changes our mood. How many things in life can lay claim to that? Art does that.

However, without the vagaries of everyday life, would it have as much significance? Well, for me…no. It’s a counterpoint. It’s a crutch. It’s a beacon. It’s a focus. It gives you headspace.

The Wall

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Hello again. It’s been an odd couple of months; the transition from Winter to Spring has been hardly discernible here in the UK. The temperature has risen slightly, yes, but the rain and wind hath not abated.

My job is taking up most of my time, focus and energy at the moment and has done for the last month or so; leaving little time for music-making. With this hiatus has come the odd doubt or two and much self-questioning. I’ve done a couple of remixes for people and the occasional ‘live’ mix, etc; but nothing new that could be released as an EP or album.

In fact, when I have tried to write/record stuff, I’ve been really unhappy with it. Yep…I’ve hit a dead-end. Part of the problem has been knowing where to go with my next release. I’ve trawled around my brain (and my music collection) for new ideas and themes, but have come up short. 

Anyway, a symbolic ‘spring clean’ is what normally works in order to give me a spark. So, I’ve downsized my releases; discarded the CutMat Recordings moniker and I’ve re-instated an old favourite EP over at Dementio13.com. Next I might re-arrange the music room or get rid of some instruments (and buy some new ones).

Anyway: here are the remixes I did recently for Northcape and Old Tramp.

And here’s the re-issued EP of bouncy electro:

I’ve also got a backlog of Cwtch tunes to attend to and a collaboration with another muso; both are being very patient.

I’m still stuck……rather than recording seeming like a new sonic adventure, it seems like an onerous task at the moment. So it might be quite some time before I record anything remotely worthy of release. Or maybe I’ll suddenly be hit by the music bus and record 15 tracks in a week.

 

Stuff, Stuff And Some More Stuff

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Well, it’s been a pleasant and productive break from work, this last fortnight. Done some catching up with old buddies, new buddies, family and music. I feel rested but, as usual, am not ready to return to work just yet! There’s no pleasing some people, is there?!

Anyhow, I have released a little mini-album type of affair unto the world. It was intended to be an EP of about 5 or 6 tracks, but quickly developed into a 9-track collection. I also intended it to be a major (for me) album release. However, as it was completed well before I planned and really doesn’t fit in with the rest of my music at the moment, I thought I’d release it as an “aside” or an ‘interim album’, if you will.

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So, “Short Circus” was born…..recorded solely on my iPad using Retronyms‘ marvelous Tabletop app. Arturia’s rather brilliant iMini app and Retronyms’/Akai’s iMPC app are also in there, as they can be used as part of Tabletop’s environment, as plug-ins. A truly mobile album; created on the train, while visiting my family, on my bed and at my dining table. The only drawback being the difficulty of playing a touch-screen keyboard…..which I may rectify soon by purchasing this.

Anyway, in a nutshell, the album is a departure for me as it comprises of tracks which are rather similar stylistically…..a re-visitation to my earlier acid and techno-influenced tunes: minimal; very electronic; bouncy.

See what you think…it’s free/pay what you want at Dementio13.com, as usual.

Incidentally, many thanks to Greg Healey (HealeyIsland) and Jim Furey (Solarno) for their advice and feedback.

In other news, I went to watch Matt Stevens play in Cardiff….that was great (and also good to catch-up with him and meet his bass accompanist, Alun Vaughan, over a curry. Music, of course, was the main source of discussion and I think we set the world to rights!)

Also, Churn Milk Joan have released an excellent new album this weekend……free/pwyw and thoroughly recommended.

That’s all that’s fit to print, really.

I started this post with a pretty picture, so here are some more to end…… The Mumbles yesterday, on the first really Spring-y day we’ve had.

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Fin.

Next!

Hello you. Been a while, but I now have some time to do the things I want to do. Mainly this involves music, family, friends, food and some alcohol. However, I’ve been having a little think about the next release.

On my previous albums (well, for the last two or three years, at least), I’ve been exploring my obsessions: with Factory Records; with Krautrock; with ‘dance music’ (of a sort); and with ambience & noise. All the while I’ve tried to mash things up and deliver a bit of variety on the albums. I think this may change….judging by the way my recent noodles and tests are working out.

The next album, when I start to record it, will be less of a mixed bag I think. I’m thinking electro, unorganic, noisy, beat-laden simplicity and…dare I say it….minimalism. Old-skool, perhaps. Generic, maybe. Possibly recorded using totally different means than previous albums.

Also, the plan is to release three ‘singles’ as free downloads…one a month in the run-up to the new album (July perhaps….maybe on my birthday just for the hell of it). I will, of course, tweet/post the hell out of it in the run-up to the release!

In the meantime, here are some little throwaway tracks I did on my iPad using Retronyms‘ brilliant Tabletop app. I think I’ll be making more use of this in future. The future is simple, the future is mobile. These tracks are nothing to do with the album and probably sound totally different.

In other news, the Laurence Made Me Cry album launch gig went ok. Gave me lots of ideas. Going to see Matt Stevens play on Friday, which will undoubtedly be great.

Anyway…..time to go. That Moscow Mule won’t drink itself.

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Laurence Made Me Smile

Ok, the time has come. Laurence Made Me Cry (aka Jo Whitby) is releasing her first proper album on Monday 11th March. I say ‘proper‘, because it is a proper album in the sense that it holds together well as a whole, but contains plenty of variety. The great thing about this album is that it is a collection of truly lovely songs which vaguely fall under the ‘folk-pop’ label, but is not restricted to traditionally folk-pop conventions. In fact, the sounds on show on the album encompass everything from a kind of neo-soca to glitch and cinematic electronica. This is not just ‘girl with a guitar’ pop; it’s rich, deep, varied and satisfying. You can buy it as a download or CD HERE.

Also, there’s an album launch gig on Saturday 9th March at Bar Buffalo, Cardiff which includes solo performances by some of the collaborators from the album and Jo herself (abetted by Pulco, Alone, Salwa Azar and, on two tracks, myself). 

All great stuff.

All Mixlr-ed Up

Am starting to make headway with the logistics of ‘performing’ my music. As many parts within my tracks are played, rather than sequenced (there are many sequenced bits as well, mind), it’s been a bit of a headache finding a way to actually do something other than just press ‘play’ and let the prerecorded tracks play themselves. There are plenty of artists who just ‘push buttons’; but I want to actually do something and give more of a performance.

I bought an Akai APC a while back in order to partly get around this. Triggering pre-recorded parts and sequences enabled some form of improvisation and difference from the album tracks. But, it’s a bit difficult to play bass and mess about with the APC; not so much of a problem when I’m playing the keyboards and using the APC though.

Anyway…..here are a couple of experiments, where I’ve ‘played’ the APC and done a few Monotron fiddles. Still working on the bass/APC conundrum, but I’ll come up with something, I’m sure.

Incidentally, here’s someone who has done the multi-tasking thing quite well….a favourite and fantastic musician.

This Is The Past

Hello again. I’m enjoying the week (I have the week off) and hope you are too. So far, it’s been a week of music and relaxation, of catching-up with old friends (more meals involved, which isn’t helping my health-kick!) and trying new musical experiences.

Today I did a bit of an overhaul of Dementio13.com, which is actually hosted by Bandcamp. Some old albums re-instated and a couple of ‘new’ collections of very early Dementio13 tracks. Take a look, see what you think……. I’d be interested if you find having all the releases on the homepage better than having the individual album page as the site’s ‘front-end’….if that makes any sense!

Anyway, the two retrospective albums are really a journal from 1999-2002 and they may have more significance for me than for you, but hopefully you’ll like the music. It’s mostly mellower, genre-led and a little more lo-fi than my stuff from the last 5 years. Both albums are free anyway, so knock yourself out.

Cheers


What is Last Test?

For those of you who care about these things, here’s a quick rundown of ‘Last Test’, of some of the tracks anyway. I like to call it ‘no more ambient bollocks‘…..

A Beat Called Don – not sure where the title came from. I was going to call it A Beat Called Graham, but as I know a couple of Grahams, I figured they might think it was about them; which it’s not. I don’t know any Dons, so….

The album’s all about sensations really…..of numbness, of repetition and of blankness. I’m listening to so much music which lulls you into a kind of submission through repetition (repetition) and walls of sound, I wanted to try to do the same, without the brutality of sheer noise (though one or two tracks come close to that). Anyway ABCD (yes, I know) packages that up in a familiar structure and I wanted it to groove a bit too.

Pen Y Fan – this is purely about the sensation of standing, looking out over South/Mid Wales from the top of a fairly big hill/mountain, with wind and cold moisture blowing up into your face. When I used to share a house, some time ago, we used to drive up to the Beacons early on a Sunday morning as a hang-over cure. Walking to the top of Pen Y Fan was the best cure we could think of, followed by a return to Cardiff and a fry-up at Taste Buds in Roath. Did the trick. Anyway….piano and drones seemed vaguely ‘uplifting’.

Really Far Away – For several friends who are really far away; and one who is gone forever. Dark to light in 8 minutes….when I find it hard to find inspirational music, I try to make my own.

Version 3 – this is version three of a really old track (first recorded in 1999, around the time of the original version of ‘Snackshack’) which I may, or may not, post again just for curiosity. I always liked the track and thought it might be interesting to update it, but I kept putting-off rerecording it. I did eventually in November, which kinda got the ball rolling for this album. It’s a little naive and melodic number.

Anyway…..in other news, I had a first rehearsal with Jo Whitby and James Reichelt for Laurence Made me Cry’s album launch gig. We met up in a local practise studio and had a productive, funny and enjoyable practise. This is what it looked like.
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