Sunday morning…… nice. Sunshine….nicer. However, some prick has dumped a smashed pineapple (from someone’s trash by the looks of it) all over my front garden; which isn’t so nice, as I have to clean it up.
Aaanyway, this is going to be one of those posts where I repeat myself repeat myself from some previous posts, so apologies if this all sounds vaguely familiar.
First off, I just want to share some music which I’ve been enjoying for a few years now; which you might not be aware of. But, if you like the kind of music I like (and surely, if you read this regularly, you know what that music is), I am sure you’ll love Sand. Their two albums “Still Born Alive” and “The Dalston Shroud” have been on very heavy rotation on my iPod.
From the excellent Soul Jazz Records site:
“Influenced by the New York Art/Punk scene of Sonic Youth, The Swans, Liquid Liquid, this is the group’s follow up to “Still Born Alive” (Soul Jazz Records, 2003) and ‘Beautiful People are Evil’ (Soul Jazz Records, 2001). This new album brings in a number of guest vocalists – Norwegian experimantalist artist/singer Maja Solveig Kjelstrup Ratkje as well as Austrian cabaret singer Louie Austen (Kitty Yo Records) who provides a chilling vocal on the Patrick Pulsinger produced “Doctor Crop”. Sand have performed onstage accompanied by cows and sheep for the Japanese Ballet troupe Karas. They have also performed at the Vienna Opera House alongside techno guru Patrick Pulsinger In 2005 they composed and performed a new soundtrack to the Tarkovsky film “Stalker” at the ICA as well as toured cinemas with a series of specially comissioned work from video artists. This new album (“The Dalston Shroud”) was recorded in Paris, Tokyo, Vienna and York in 2006.”
This is seriously good music, going beyond ‘spanning genres’; it includes elements of punk, funk, avant-garde experimentalism, no-wave stylings, the harder end of contemporary jazz, dubstep, krautrock and electro. Noise and groove often collide in Sand’s aural universe; as does drama and beauty. Go check them out.
Next, I’m eagerly awaiting audio files from Laurence Made Me Cry so I can get started mixing the songs for her new album in a week or two. This is exciting stuff for me, especially as, for once, I’m working on someone else’s music as a co-producer. What I’ve heard so far sounds lovely. And here, once again, is my contribution to the album (apart from as a producer) on the song ‘Intelligent Mr Toad’ (version 2):
The track seems to be going down well, getting airplay on Adam Walton’s BBC Wales show and Tom Robinson’s BBC6Music show, as well as on a few podcasts and Amazing Radio.