Summary Of New Stuff

Welcome to Winter and a happy new year. As I only seem to be sporadically updating the blog nowadays, it means, when there is news of new releases, there is a lot to report. So, besides the November release of the album, ‘Broxen‘, I’ve been very busy working on quite a few remixes and collaborations since last time I posted. Broxen has had some really positive reviews and airplay on BBC Radio a few times; which is a buzz that never leaves you, as an independent musician with no PR as such. So, many thanks to Adam Walton and Tom Robinson for playing my stuff on their shows, it means a lot.

Also, as ever, Mark Whitby and Pete Jackson of Dandelion Radio have been really supportive and playing tracks from the album. Both of them have invited me to do a live session for their respective February and March shows, which will be aired on rotation throughout those months.

In December, I recorded a spoken-word track with Equinox, featuring his words and voice and my music. It’s one of several collaborations between Equinox and various artists. The album, ‘It’s Hard To Be Happy When Your Head Is Full Of Sin’ (release date tba) will be a cracker, I’m sure.

The other major news is that my collaboration with Marie Craven has recommenced with the mini-album ‘Chasing Headlights‘. I’d really like you to hear this. Marie and myself have worked together for about 8 years, this time with poet James Brush, who provided the  words.

So, back to Broxen…… here are excerpts from a great review by Louder Than War.

“An artist that is continually evolving, Broxen brings forwards tracks of increased maturity and addiction. Influences from krautrock are obvious and the occasional oddness only helps to ensure that the Wales based Wiganer doesn’t fit into any shaped box……

Call it lo-fi, call it D.I.Y., call it whatever you will but Broxen is a fine collection of mixed beats, styles and ideas from a man not prepared to stand still and spread his electro wings. With further collaborations from Rob Halcrow (Picturebox), Manfred Hamil (The Shed Collective) and Colin Robinson (Big Block 454, Jumble Hole Clough) included together with a fine appearance from Squarepusher on album closer MIDI Sans Frontieres, this is an album that has already received widespread acclaim and reaction.”

And finally, video-maker MD/Shoots has produced some great trippy visuals for ‘No Maps’. Please do check out his other work also.

 

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Imperial Decimal (2.00)

All albums are experiments. Even if the musician has just churned out the same old stuff as last time, it’s an experiment in sameness.

But, I always try to do something a bit different than the previous album. Not stylistically, though that sometimes happens. But in the way it’s sold or marketed also.

Anyway, the new album costs a minimum of £2. Is it ‘working’ as an experiment? Well, it’s way too early to tell. The number of downloads are lower than on previous first days, but that won’t tell us anything. It’s only natural that people will download it in more numbers if it’s free music… they’re possibly also more likely to like it!

Anyway, there have been quite a few downloads and that really encourages me. Thank you, people. The album is an experiment, also, as I’ve gone down a less confrontational, rocky road. All I’ll say is, if you do like it, please, please tell other folks and say why you like it. If you do decide to buy it, many thanks in advance.

Here’s the album which Tom Robinson liked enough to play an excerpt from on his mixtape BBC show and one reviewer has said:

“Imperial Decimal” is yet another absorbing collection of compositions and sound sculptures which suggest both the interests and influences of Dementio13.  And one which may, hopefully, encourage the casual listener to follow the lead.” (John Toolan – Music To Wash Up By blog)

Some listeners have said it’s my best work yet…..which pleased me, lots.

Here are some photos from yesterday’s Laurence Made Me Cry gig at Tintern Abbey (lovely place for a gig) in glorious sunshine. I’m on the right.

Tintern Abbey

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photo

Thanks to Rhys Anslow and Basil (Basdriver De Erste) for the pics.

A Glance Backwards…

As is customary at this time of year, one tends to evaluate, reminisce and review the past twelve months. It’s a pre-requisite for the act of moving forward; hence the tradition of getting all misty eyed about the previous year and then making resolutions about the coming year: I’m going to lose weight; I’m going to work harder/less; I’m going to be more understanding in a relationship; I’m going to devote more time to family & friends; etc.

Well, I’m no exception. I’ve got quite a bit to look back on, musically, from the past year; and I’ve got a fair bit to look forward to.

So, besides the Olympics, economic decline and the impending apocalypse; what happened for Dementio13 in 2012?

I released two albums, both of which I’m very proud of, for a start: “Crash St.” in March and “El Lissitzky” in June were released fairly soon after one another, but had been in the recording and pre-production stage for around six months previously. They were the culmination of everything I’ve done musically during the past 10 years and so, I feel, they were my best work to date. My music’s not to everyone’s taste; some think it’s too diverse, some think it’s not tough/experimental enough, some think it’s too gentle and that’s their prerogative. However, I attempt to find a balance between tunefulness and experimentalism when I record….that’s where I’m at. With these two releases, I tried to do that as well as paying homage to all the music I like and know by the artists that formed my musical tastes. ‘El Lissitzky’ was as much about Factory Records as it was about Russian Constructivism. Here’s my favourite track from ‘Crash St.’:

2012 was also a time to discover new music; by both ‘established’ artists and DIY independents. Suffice to say, that’s a distinction which is fairly irrelevant, as the quality of both categories is indistinguishable from one another. My shortlist (if I was compiling such a thing) would certainly include Matt Stevens and his band The Fierce And The Dead. ‘Guitar heroics’ is a term often used to describe viking-like rock posturing; however, Stevens plays with fluent, sometimes humorous, invention with a knowing wink to rock’s slightly absurdist past. There are also lots of great references to film music and multiple genres which lift this music above rock self-reverence. Another candidate for my fave music of the year must certainly be Colin Robinson of Big Block 454, Churn Milk Joan and Jumble Hole Clough. The latter of these three projects show him to be a masterful exponent of restraint (especially compared to the wonderful Dadaist energy of BB454), creating atmospheres and spaces rather than grooves and noise. Lastly in this short shortlist would be Steve Kelly (aka the now defunkt SK123) in his guises as Macerator and Douglas Deep. Electronic music is a splintered affair…….the sonic possibilities offered by technology often can lead to too many options for the musician. Therefore, it’s often necessary to invent multiple personas to delineate between the stylistic differences of one’s output, as Kelly has done. He employs as much skill in his use of computers, controllers and his sound-palette as the previously mentioned artists do with guitars and effects. Beats are his ouevre, though he is deft at creating atmosphere as well. His music is invigorating, inventive and vastly underrated. All three of these artists have released quality music this year and they’ve also proven to be jolly fine people as I’ve either met, or conversed with them; they’ve also been great supporters of independent music; I can’t recommend them enough.

There are also a handful of people deserving of thanks for their continued support of my own music. The writer and musician Oli Arditi has reviewed and promoted my main releases this year as both Dementio13 and Cwtch. His writing style is rare in that it explores cultural theory in an extremely wordy and eloquent way while conveying a sense of enthusiasm and non-elitism. As music blogs go, it’s as much a lesson in context and structure as it is a review of music; and makes for a refreshing and informative read. Arditi does not treat us as idiots and rather than ‘dumbing down’, he ‘clevers up’! I am now a regular reader of his blog as I know that, even if I have no intention of listening to the music he is writing about, it will always make for an interesting read. Then there’s Dandelion Radio…..what these guys (particularly Mark Whitby and Pete Jackson) have done for my music is immeasurable. In playing to a large and loyal listener-base, Dandelion have helped promote and disseminate independent/DIY music further than any artist on a tight budget could do so. In February and April, I performed two live mixes for Mark and Pete respectively.

Right, I think that covers most bases for now……apologies if I’ve missed you out but time is fairly short and this could turn into quite a tome if I were to mention everyone who has supported my efforts (and there are many of you). I’m adding the finishing touches to Laurence Made Me Cry‘s album mix today. Then I’m off to post it to Jo (who’s been patiently waiting for ages for me to get it ‘right’!). Her album’s out on 11th March 2013 and is thoroughly recommended…I should know as I’m now very familiar with these tracks!

Have a great Christmas and I’ll see you on the other side….

No News Is Good News….Right?

As the days are getting shorter, the daylight greyer, the rain colder and the workload greater, there’s been little musical activity over here at Dementio Towers lately. Apart from the ongoing mixing of Laurence Made Me Cry‘s lovely album….which should be finished in a week or so, I reckon.

I have, however, been struck by some musical ideas of my own and I can safely say that I’m going to start recording new material in the new year. I’m hoping to release an album in the spring/summertime. I’ve no idea what it’s going to sound like, but as I strive to make each release sound a bit different from the last, I can estimate that there may be a ‘change of direction’.

Apart from LMMC, there is some rather cool stuff coming from other musicians however. One of which is an intriguing project entitled Contranym. The ‘band’ comprises Terry Bergin (FK:Dup), Ian Thistlethwaite and Gem Witchalls (Tangerine Puppet). Their debut ep, ‘Aloha’ displays a confident grasp of musicianship and production in the merging of several, seemingly divergent, genres: electronica (particularly dubstep); folk-pop and traditional reels. This kind of fusion isn’t normally my thing, to be honest, but I’ve been seduced by it’s inventive production, infectious tunes and sheer energy. Good stuff and worth a purchase.

Also of note is Colin Robinson’s (Big Block 454 / Churn Milk Joan) very different solo project Jumble Hole Clough. Lovely guitar-led atmospheres and (again) inventive sound-scaping make the album ‘Three Bags Of Madder’. It’s an evocative mix and quite different from the brilliant odd psychedelic rock/electronics of BB454. Another recommendation.

I also recommend that you actually buy these releases as, though these musicians are by no means impoverished, funding from sales helps to finance future releases, enabling more ambitious projects. For a few quid (a couple of Costa coffees!) you can show your support for the artists as well as get that lovely warm tingle of satisfaction that you’re not pandering to the corporate Godzillas.

Finally, it’s getting towards Christmas and that means it’s ‘Festive Fifty’ time over at Dandelion Radio. For the uninitiated, Dandelion is an independent radio station set up to continue the ethos of the great John Peel’s long-running BBC music show. Many 30 to 70-somethings will have fond memories of staying up late as teenagers to clandestinely listen to JP play the obscure, weird, revolutionary and staunchly independent music of the likes of Half Man Half Biscuit, The Fall, Joy Division and thousands of bands long forgotten. It was reactionary and educational as well as downright fun. His Xmas ‘Festive 50’ chart, voted for by listeners, was the highlight of the yuletide festivities for many. And so, Dandelion have been trust-keepers of the FF since JP’s death. You can pop over to their site and vote for your top three releases of 2012….they don’t need to have been played on Dandelion; but bare in mind that it’s a dead cert that One Direction won’t be appearing on the list!

Music, Sand and Exotic Fruit

Sunday morning…… nice. Sunshine….nicer. However, some prick has dumped a smashed pineapple (from someone’s trash by the looks of it) all over my front garden; which isn’t so nice, as I have to clean it up.

Aaanyway, this is going to be one of those posts where I repeat myself repeat myself from some previous posts, so apologies if this all sounds vaguely familiar.

First off, I just want to share some music which I’ve been enjoying for a few years now; which you might not be aware of. But, if you like the kind of music I like (and surely, if you read this regularly, you know what that music is), I am sure you’ll love Sand. Their two albums “Still Born Alive” and “The Dalston Shroud” have been on very heavy rotation on my iPod.

From the excellent Soul Jazz Records site:

“Influenced by the New York Art/Punk scene of Sonic Youth, The Swans, Liquid Liquid, this is the group’s follow up to “Still Born Alive” (Soul Jazz Records, 2003) and ‘Beautiful People are Evil’ (Soul Jazz Records, 2001). This new album brings in a number of guest vocalists – Norwegian experimantalist artist/singer Maja Solveig Kjelstrup Ratkje as well as Austrian cabaret singer Louie Austen (Kitty Yo Records) who provides a chilling vocal on the Patrick Pulsinger produced “Doctor Crop”. Sand have performed onstage accompanied by cows and sheep for the Japanese Ballet troupe Karas. They have also performed at the Vienna Opera House alongside techno guru Patrick Pulsinger In 2005 they composed and performed a new soundtrack to the Tarkovsky film “Stalker” at the ICA as well as toured cinemas with a series of specially comissioned work from video artists. This new album (“The Dalston Shroud”) was recorded in Paris, Tokyo, Vienna and York in 2006.”

This is seriously good music, going beyond ‘spanning genres’; it includes elements of punk, funk, avant-garde experimentalism, no-wave stylings, the harder end of contemporary jazz, dubstep, krautrock and electro. Noise and groove often collide in Sand’s aural universe; as does drama and beauty. Go check them out.

Incidentally, their label-mates on Soul Jazz, Heavy Q Connection and Lucha Libra are also well worth investigating.

Next, I’m eagerly awaiting audio files from Laurence Made Me Cry so I can get started mixing the songs for her new album in a week or two. This is exciting stuff for me, especially as, for once, I’m working on someone else’s music as a co-producer. What I’ve heard so far sounds lovely. And here, once again, is my contribution to the album (apart from as a producer) on the song ‘Intelligent Mr Toad’ (version 2):

The track seems to be going down well, getting airplay on Adam Walton’s BBC Wales show and Tom Robinson’s BBC6Music show, as well as on a few podcasts and Amazing Radio.

Cwtch – “Silver” EP nothing to do with global sports shock!

Hello,

As you may well know, when I’m not recording as Dementio13, teaching as ‘Sir’, or moaning/ruminating as Paul The Miserable Bastard, I’m recording as Cwtch with my  talented antipodean collaborator Marie Craven. We’ve been really quite busy over the past few months, what with new solo releases and (in Marie’s case) preparing/rehearsing live projects. But we always find time to make some new stuff as Cwtch.

Well here is our latest offering, released to no particular fanfare, with no big promotional ‘build-up’. What can I say about it? Well, we’ve made music which we want to hear. We’ve made the music despite a distance of thousands of miles between us. We’ve taken the best bits of what we do as solo musicians and thrown them into the blender. 5 songs which call to mind music past and present, mainstream and niche.

I hope you can share in this music….and, of course, if you like what you hear, share it with others….. we kinda rely on that.

SILVER

Please enjoy.

Another Review of ‘El Lissitzky’

Here’s a review of the album, posted by musician and all-round goodfellow, Ian Thistlethwaite. There are a lot of comparisons made, many of which made me blush with pleasing embarrassment. A very nice review and one which sums-up a lot of what I’m about.

“…part way through any one track, things will change utterly, and, like in dreams, they may not make sense when you tell people back, but they make absolutely perfect sense as they progress at the time.”

You can read it HERE.

 

Tank Yew

Hello electro-beings. I’m trying to unwind my head from a manic period of work by listening to Kraftwerk’s ‘Tanzmusik’. It is, indeed, bloody lovely: driving, melodic, whimsical, ethereal…

Anyway, it dawned on me that it was only just over a week since I released ‘El Lissitzky’, my 6th album (or, to be more correct, my twelfth album….but one I haven’t deleted!). It seems like it’s always been around, not just sitting on Bandcamp for nine days. Anyway, in those nine days, people have been downloading, tweeting, sharing, blogging about and reviewing it; just as I’d hoped. So, thank you loads, people. You are the glue that holds this independent/DIY music thing together.

I’d also like to thank a few broadcasters who have supported the music and, particularly, played tracks off the album on their shows. These include Mark Ryan at Amazing Radio and Pete Jackson at Dandelion Radio…..both stations championing new, emerging music and I thoroughly recommend them.

Also, whoever has put my music on torrent sites or free download sites……thanks. My music seems to be cropping-up in all sorts of places.

So, what’s next? Well, never one to sit about on my arse, I’ve been busy working on music for my renewed collaboration with Marie Craven, known as Cwtch. At the risk of alerting the self-congratulation police, I am really liking the sound of the new track in progress. Well, I would wouldn’t I? That’s why I make music….to hear music I actually like!!!

The new Cwtch stuff will be available whenever it’s ‘finished’. Early days yet….

Love and Cheetos to you all…..